The fundamental elements of rhethoric and their impact on music art

Issue 55, 2024

Oleksandr Oliinyk

Received 26.11.2023, Revised 09.02.2024, Accepted 07.03.2024

https://doi.org/10.54919/physics/55.2024.173oj3

Abstract

Relevance. Rhetoric, traditionally associated with effective speech, also deeply influences musical composition and interpretation, particularly in string and plucked instruments which are emblematic of Ukrainian national art. This article explores the significant interplay between rhetorical principles and musical expression, emphasizing its relevance in the context of contemporary performance art.

Purpose. The study aims to investigate how rhetorical principles, specifically the inventio techniques, apply to musical expression and performance. It seeks to enrich the theoretical framework of Ukrainian musicology with innovative approaches to the application of rhetorical inventio in music.

Methodology. The research is grounded in the linguistic musicology of B. Asafiev’s school and incorporates a detailed examination of the tone-sound specifics of expressive sound production in music. The methodology involves analyzing the inventio principles and their impact on the artistic components of instrumental playing.

Results. The study identifies the intensity of the artistic component in instrumental music creation and performance, highlighting the role of rhetorical principles in shaping the expressive sound production and performer’s artistic stance. It also recognizes the theoretical innovation brought about by integrating rhetorical inventio into musicological discourse.

Conclusions. The findings demonstrate that rhetorical principles, particularly inventio, significantly enhance musical expression and instrumental performance. This integration not only supports the improvisational skills of musicians but also contributes to a richer and more nuanced understanding of musical composition and its performance in the modern era. The research underscores the potential for further exploration and application of rhetoric in musicology, promising advancements in both theoretical and practical dimensions of musical art.

Keywords: musical rhetoric; poetic; rhetorical components; prolegomenas; symbol

Suggested citation

Oliinyk O. The fundamental elements of rhethoric and their impact on music art. Sci Herald Uzhhorod Univ Ser Phys. 2024;(55):1733-1742. DOI: 10.54919/physics/55.2024.173oj3

Download article

References

  1. Druskin Ya. About rhetorical acceptance in music of I.S. Bach. Kyiv: Muzychna Ukraina; 1972.
  2. Zakharova O. The rhetoric and West-European music XVII – first half XVIII centuries. Moscow: Muzyka; 1983.
  3. Nosina V. Symbology of the music of I.S. Bach. Tambov: International Higher Courses Artist Mastery of Pianists in Memory of S.V. Rachmaninov; 1993.
  4. Civra F. Poetic music. Introduction to musical rhetoric. Torino: UTET Liberia; 1991.
  5. Kolotilova N. The rhetoric: scholastic allowance. Kyiv: Center for Educational Literature; 2007.
  6. Markus S. History of the music aesthetics: Vol. 1. Moscow: Muzgiz; 1959.
  7. Bondarenko V. The rhetoric. Kharkiv: HNADU; 2008.
  8. Matsko L. The rhetoric: scholastic allowance. Kyiv: Vyshcha Shkola; 2006.
  9. Medushevskiy V. About regularity and facility of the artistic influence of the music. Moscow: Muzyka; 1976.
  10. Lihacheva V. The art of Byzantium of IV-XV centuries. Leningrad: Iskusstvo; 1986.
  11. Gudman F. Magic symbols. Moscow: Zolotoy Vek; 1995.
  12. Wilson-Dickson A. A brief history of Christian music. St. Petersburg: Mirt; 2003.
  13. Dynnik M, Yobchuk M. The history of phylosophy. Moscow: AN USSR; 1957.
  14. Zinkiv I. Bandura as historical fenomenon. Kyiv: IMFE named after M.T. Rylskoho; 2013.
  15. Markova E. Intonation type of music art. Kyiv: Muzychna Ukraina; 1990.
  16. Dal V. Explanatory dictionary alive Russian language: Vol. 1-4. Moscow: Russkiy Yazyk; 1979.
  17. Korniy L. The history of Ukrainian music. Part first: from ancient times to the mid XVIIIth century. Kyiv: Publishers M.P. Kots; 1996.
  18. Shayestehfar M. Musical instruments in timurid paintings. An organological approach. Goya. 2003;295-296:245-255+194.
  19. Rui G. Ethno-Artistic Competence of a Music Teacher: Essence, Structure, Features of Formation. Prof Educ: Methodol Theory Technol. 2023;17:79-92. https://doi.org/10.31470/2415-3729-2023-17-79-92.
  20. Bondarenko IN, Galich AV, Troitski SI. High-Q modes in irregular hybrid structures. Telecommun Radio Engin. 2013;72(19):1747-1753.
  21. Maraj D, Maraj A, Hajzeraj A. Application interface for gesture recognition with Kinect sensor. In: 2016 IEEE International Conference on Knowledge Engineering and Applications, ICKEA 2016 (pp. 98-102). Singapore: Institute of Electrical and Electronics Engineers; 2016.
  22. Gritsunov A, Bondarenko I, Pashchenko A, Babychenko O. Theory of natural oscillatory systems and advance in nanoelectronics. 14th Int Conf Adv Trends Radioelectr, Telecommun Comp Engin, TCSET 2018 – Proceed. 2018;2018-April:410–415.
  23. Bondarenko IN, Bliznyuk IY, Gorbenko EA. Microwave irregular resonant structures. Telecommun Radio Engin. 2019;78(5):385-392.
  24. Berehova O. Comparative poetics оf composers’ creativity іn the formation of the European cultural paradigm. Interdisc Cult Human Rev. 2022;1(1):13-19.
  25. Saliu H. The Evolution of the Concept of Public Diplomacy from the Perspective of Communication Stakeholders. Medij Istraziv. 2020;26(1):69-86.
  26. Novosiadla I. Psychophysiological factors of effective development of piano technique of future music teachers. Sci Bull Mukach State Univer. Ser “Ped Psychol”. 2023;9(1):47-58. https://doi.org/10.52534/msu-pp1.2023.47
  27. Keldysh Yu. Russian music. Musical encyclopedia. Moscow: Sovetskaya Entsyklopediya; 1978.
  28. Bondarenko IN, Galich AV. Microstrip resonant sensors. In: CriMiCo 2014 - 2014 24th International Crimean Conference Microwave and Telecommunication Technology, Conference Proceedings (pp. 984-985). 14 November 2014, Institute of Electrical and Electronics Engineers; 2014.
  29. Logvyn GN. Sofia in Kyiv. State architectural-history complex. Kyiv: Mystetstvo; 1971.
  30. Perevezentsev S. Russia. Great fate. Moscow: Belyi Gorod; 2006.
  31. Bondarenko IN, Gorbenko ЕА, Krasnoshchok VI. Microwave switch based on a waveguide T-junction for a compression resonant pulse former. Telecommun Radio Engin. 2017;76(6):469-475.
  32. Pokrovskaya N. History of performance art on harp: Course lecture/for orchestral faculty (the string branch) music high school. Novosibirsk: Novosibirsk State Conservatory named after M. Glinka; 1994.
  33. Bazaluk O. Plato’s and Isocrates’ traditions in the development of educational theories in the history of culture. Anal Univer Craiova, Ser Filoz. 2017;40(2):5-18.
  34. Bazaluk O, Svyrydenko D, Terepyshchyi S. Structural-functional models of integration and reintegration of Ukrainian educational landscape. Nauk Visn Nat Hirnych Univer. 2017;5:163-168.
  35. Godovantes OI, Kitsak TS, Vitkovsky OO, Kuzniak LV, Godovantes OS, Chaikovska NM, Fedoniuk LY. The Influence of Diffuse Nontoxic Goiter on the State of Protective Mechanisms of the Oral Cavity in Children. J Med Life. 2020;13(1):21-25.
  36. Godovanets OI, Kotelban AV, Hrynkevych L, Romaniuk DG, Fedoniuk LY. Potential effectiveness of poly-vitamins and probiotics among preschool children living within iodine deficiency territory to caries prevention. Pesquisa Brasil Odontoped Clin Integr. 2020;21:1-11.
  37. Kieliszek Z. Potential of Immanuel Kant’s Philosophy in the Context of The Encyclical Amoris laetitia of Pope Francis. Logos (Lithuania). 2023;117:36-45.
  38. Kim K-H, Chung J-K. A study on ‘Arirang’ a korean folk song that is being accepted worldwide. Eur J Sci Theol. 2023;19(1):77-91.
  39. Gryglewski P, Ivashko Y, Chernyshev D, Chang P, Dmytrenko A. Art as a message realized through various means of artistic expression. Art Inquiry. 2020;22:57-88.
Make a Submission

Indexing

info@physics.uz.ua