Stage and concert skills formation of higher music students based on personality-oriented and activity-based approaches

Issue 55, 2024

Zoryana Lastovetska-Solanska, Myroslava Zhyshkovych, Oksana Bassa, Mariya Lypetska, Nina Dyka

Received 18.10.2023, Revised 14.01.2024, Accepted 07.03.2024

https://doi.org/10.54919/physics/55.2024.182fp3

Abstract

Relevance. Concert activity is an integral part of the training of music specialists in higher education institutions, which in turn involves the education of stage culture in students and the formation of their stage performance skills. Therefore, the research relevance is predefined by the need for a thorough study of personality-oriented and activity-based approaches to the problem of forming the stage culture of music students.

Purpose. The research aims to study and analyse the basics of forming stage and concert knowledge, skills and abilities of music students during the process of professional training, based on personality-oriented and activity-based methodological approaches.

Methodology. The following methods were used in this study: comparative, typological methods, generalization, and analysis.

Results. The study has revealed the basic aspects of the activity-based approach to the development of performance skills of young music professionals, as well as the personality-oriented approach. It was possible to identify the nuances and important aspects of the educational process in the distance preparation of musicians for concert practice. The research revealed the characteristic features of the formation of stage performance skills for various forms of musicianship, including vocal and instrumental activities. The main methodological principles of forming stage culture in students of higher music educational institutions were studied. The research investigates the necessary pedagogical conditions for a successful educational process of forming stage and concert skills of students of higher educational institutions.

Conclusions. This research can be used by scientists to further study the issue of training personnel for stage activities in the field of musical art.

Keywords: performance culture; vocal work; chamber instrumental piece; art education; professional competence; chamber-vocal music

Suggested citation

Lastovetska-Solanska Z, Zhyshkovych M, Bassa O, Lypetska M, Dyka N. Stage and concert skills formation of higher music students based on personality-oriented and activity-based approaches. Sci Herald Uzhhorod Univ Ser Phys. 2024;(55):1823-1832. DOI: 10.54919/physics/55.2024.182fp3

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